Category Archives: Metropolitan

How Does a Moment Last Forever?

Back at the start of the pandemic, one strain of the thinking internet’s insatiable need for copy was served by warnings against making a metaphor of the coronavirus. Forget that it came from China, that it was happening in an election year, that Trump had dismantled the National Security Council directorate charged with protecting us against such threats. Don’t take the bait.

Most of these exhortations were against casting COVID-19 as payback from some unknown dispensary of karma. Paul Elie in the New Yorker reminded us that Susan Sontag in the New Yorker had the final word on illness as metaphor in 1978 and again in 1989. She poked massive holes in this human impulse, so we mustn’t narrativize the pandemic as we narativize our individual lives.

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Urbi et Orbi

It’s hard to believe our COVID summer is already over. In New York, the weeks failed to coalesce as a season, and most people got sick of being told they should be either buying a house far away or pining for Italy while stuck in a state park. The New York Times offered beautiful photos of empty Italian streets but also an update on how businesses in Capri and other Italian tourist destinations miss “the interaction, the energy, the optimism, the shopping style” of rich Americans. (Funny thing: New York City’s small businesses miss “the shopping style” of rich Americans too!)

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Alone Together

During the darkest hours of a crisis that is ongoing everywhere except the now open-for-business United States, Queen Elizabeth delivered a message of uplift. She reminded her people that “the attributes of self-discipline, of quiet good-humored resolve and of fellow-feeling still characterize this country.” In America, the only thing we can say about fellow-feelers is that we have two warring factions.

New York City, on the other hand, has always managed to pass as a diverse (if spectacularly unequal) assemblage of fellow-feelers. In challenges before this pandemic—the Great Recession, the 2003 Blackout, 9/11, broken windows policing, the squeegee years, and being told to drop dead by Washington—New York bucked itself up on chutzpah and a paradoxical DNA strand of sanguine and sangfroid. After the nation lost its innocence and New York a matching pair of monuments, our President and his matching Mayor went big on shopping and building back taller than ever to stick it to the terrorists. We would crowd into subway cars and Macy’s elevators and go to two Broadway shows a night.

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Count Yourself Lucky

At a time in this crisis that now seems ages ago, New Yorker columnist Masha Gessen wrote about why she was not a bad person for leaving New York City during a pandemic.

Her daughter had asked if the family was going to be like “those people”—the “rich white people who leave the besieged city because they can.” Her mother’s justification on March 30: “If we got very ill, we wanted to be those people who were not stressing this already overtaxed city, taking up hospital beds that were needed by people who didn’t have the option of leaving.”

The family’s destination was Falmouth, Massachusetts, landing at a time when local residents on Cape Cod, Martha’s Vineyard, and Nantucket were asking fleeing New Yorkers to stay away and not infect them.

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The Big Short

“Too often,” said Fiorello La Guardia, “life in New York is merely a squalid succession of days, whereas in fact it can be a great, living, thrilling adventure.” I thought about my city as “a great, living, thrilling adventure” when I went to check out the throngs trying to hear Elizabeth Warren speak in Washington Square Park.

These were the faces of hopefuls, of progressives—the flash foot soldiers, many of them students who could afford to be hopeful by virtue of youth (regardless of a climate going to hell). It was a predominantly white audience, with a smattering of those whom Republicans love to label “the elite.” But for the most part, this was a group that could not afford a lot—maybe because there seemed to be more women.

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Cashless

There’s a scene in The Forty-Year-Old Virgin that doesn’t shed much light on sex but offers a prescient glimpse into the future of commerce. Catherine Keener’s character sells things on eBay but keeps the merchandise for show in an actual store. Jonah Hill wants to buy the pair of glittery boots with goldfish on the bottom that he is holding in his hands, but Keener tells him he can only buy them via eBay.

This was way back in 2005, when an eBay seller’s unwillingness to take a potential customer’s cash seemed funny. It was also a time when a lot of the items sold on eBay were curios and collectibles rather than things that would restock your medicine cabinet.

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Achtung, Baby

I first noticed our societal breakdown of stay-right walking in the early 2000s, when I had to cross the Harvard freshman quad on my way to the subway. Not everyone was on a phone in those days, but even those who weren’t distracted by a phone walked on any part of the sidewalk they pleased.

One of my earliest memories was walking “downtown” with my grandmother to the A&P on Market Street. I was old enough to be out of a stroller but young enough to be a pedestrian hazard. I’m sure I started out at my grandmother’s side, but invariably I drifted. That’s when it happened—the startling yank to some piece of my clothing. My grandmother’s arm maneuvered as if by reflex, as pneumatic as a robotic claw turning a diesel engine. “Stay on the right and everyone gets to where they’re going.”

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