New York City has many “privately owned public spaces,” mostly lobbies or courtyards of commercial buildings that, by agreement, anyone can use. They’re a nice amenity for the public and relative chump change when you consider the tax breaks developers and corporations get in return. One of these spaces—the lobby atrium at 60 Wall Street—is in a 47-story postmodern skyscraper that its owner plans to renovate. After a year-long effort by various individuals to landmark both the 1989 building and its lobby that serves as a subway entrance, the city said no; the owner can tear the thing down.
The atrium is a kooky shrine to 1980s excess that has strangely managed to survive almost intact for 33 years. People have called this Cocaine Décor, I suppose after the esthetics of Scarface. But that’s about a decade before this place went up. When I saw the atrium a decade ago, I thought of it as The Bonfire of the Vanities lobby, a mashup of previous mashups. It feels like an initiation into something, with octagonal Egyptian-columns covered by marble tiles resembling Mughal design. The towers erupt into a bric-a-brac mirrored ceiling, framed with more white and trelliswork, with walls adorned by rock sculptures over which water at one time flowed. The white effect has been described as a “winter garden,” which to me conjures Chekhov and wicker chairs, not an airport hanger. Although the various froufrou (including Miami Vice plastic palm trees that have replaced the original Ficus trees) could be taken as garden ornaments, the giant deco columns quash that idea.
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