Since childhood, I’ve been keenly aware of the moment early in February in the Northeast when the sun suddenly, out of nowhere, gets brighter. It’s still winter, but the bareness of deciduous branches against a cloudless blue sky gleams like crystal, stunning the eyes—a celestial antidote to Emily Dickinson’s “certain slant of light” that makes interior winter afternoons funereal. Something is substantially different.
This year, this late-winter light has been overlaid by a month-earlier spring—a climate story unto itself. But still in Central Park the branches have yet to fluff out, and you can survey the landscape with rare clarity. This is a great opportunity to marvel at the variegated shapes and patterns of the tree crowns, at the way every trunk below seems positioned to always be “in concert” with the whole.
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